The Contradictory Orientation of “New” and “Old” from the Perspective of Countryside: A Comparative Analysis of Shen Congwen’s Border Town and Zhao Shuli’s Sanli Bay

Authors

  • Yueran Wang

DOI:

https://doi.org/10.61173/a89r5303

Keywords:

Contradiction between “new” and “old”, Shen Congwen, Border Town, Zhao Shuli, Sanli Bay

Abstract

Shen Congwen and Zhao Shuli are important writers in the field of modern and contemporary rural literature. There are contradictions between “new” and “old” in their works Border Town and Sanli Bay. The author analyzes this phenomenon by combining the writer’s experience, social background and historical motivation, and finds that the main factors of the contradiction between “new” and “old” are the national cultural relations and the influence of social background. These factors are embodied in the impact of nationality, modernity and cooperative period background on rural traditional family structure. They reflect the characteristics of literary works responding to The Times and examining modern traditions in the social context of the time. Through the study of the contradiction orientation of “new” and “old”, the author perceives the development direction of modern and contemporary literature and history: modern and contemporary literature develops in the process of adapting to the changes of The Times.

References

[1] Jiang Li. The writing of human nature in Shen Congwen‘s novels - take „Biancheng“ as an example [J]. Yangtze River Novel Appreciation, 2024(08)

[2] Lin Peiyuan. Labor Inheritacy“ - Re-on the „cooperative“ narrative of Zhao Shuli‘s „Sanli Bay“ [J]. Research on Contemporary Chinese Literature, 2022(02)

[3] Lu Xinghan. Analysis of the contradictions between the new and the old of rural culture under the perspective of historical materialism and the rectification of the road [J]. Journal of Huaiyin Normal University, 2024(05)

[4] Zhou Jihuan. New exploration of the cause of the tragedy of Shen Congwen‘s „Biancheng“ [J]. Journal of Hebei University of Science and Technology, 2005(04)

[5] Zhang Ruiqi. The Construction and Dissolvement of Water Town Utopia - „Border City“ from the Perspective of Symbolism [J]. Yangtze River Novel Appreciation, 2024(28)

[6] Qian Liqun, Wen Rumin, Wu Fuhui. Thirty years of modern Chinese literature [M]. Beijing: Peking University Press, 1998

[7] Zhao Weidong. Explanation of the meaning of the implicit text of Sanliwan [J] Academic Monthly, 2005(01)

[8] Duan Kai, Shen Luhan. Identity separation and aesthetic configuration: the generation, shaping and solidification of Zhao Shuli‘s farmers‘ interest [J] Popular Literature and Art 2024 (16)

[9] Jin Jiefu. He came from Phoenix: Shen Congwen Biography [M]. Beijing: New Star Publishing House, 2018.

[10] Tan Wenxin. On the three different manifestations of nationality in ethnic literature [J]. Social scientist, 2010(06)

[11] Xiang Yuxin. The flow of Beijing and Shanghai literary circles and the generation of Shen Congwen‘s imagination [J]. Journal of Hanjiang Normal University, 2024(04)

[12] Lin Ting, Hou Ying. When the family encounters a revolution--On the disintegration of the family in the agricultural cooperative movement and its literary performance [J]. Jiangxi Social Science 2010(04)

[13] Li Feilong. Research on Marriage and Family in Rural China in Social Change [R]. Party School of the Central Committee of the Communist Party of China.2010

Downloads

Published

2025-06-26