A Comparison of Paradigms for Writing Literary History--Thirty Years of Modern Chinese Literature and Harvard’s New History of Modern Chinese Literature as Examples

Authors

  • Lingwen Xu

DOI:

https://doi.org/10.61173/p15zhh82

Keywords:

literary history, writing paradigms, writing prospects, comparison

Abstract

Thirty Years of Modern Chinese Literature and Harvard’s New History of Modern Chinese Literature have significant writing differences, but both of them are representative books on the history of modern and contemporary Chinese literature. In this paper, we will try to start from the perspective of academic history and academic concepts, take into account their different social identities, try to compare the reasons and backgrounds of the differences between the two, and initially discuss the gains and losses and development of each of the two paradigms.

References

[1] Wang, D.W. (2022) A New Literary History of Modern China. Sichuan People’s Publishing House, Chengdu

[2] Qian, L.Q. (1998) Thirty Years Of Modern Chinese Literature. Peking University Press, Beijing

[3] Qian, L.Q. (2016)My Spiritual Autobiography. Sanlian Publishing House, Shanghai

[4] Lanson G. (2009) Selected literary Essays of Lanson. Baihua Literature and Art Publishing House, Tianjin

[5] Dai, Y. (2002).The Power Of Literary History. Peking University Press, Beijing

[6] Antoine, C. (2023). The Third Republic Of Literature. Sanlian Publishing House, Shanghai

[7] Chen, P.Y. (2011). Literary History As a Discipline. Peking University Press, Beijing

[8] Wang, D.W. (2014). A New Discussion On Modern And Contemporary Literature. Sanlian Publishing House, Shanghai

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Published

2024-06-06