The Images of Peasants in Modern and Contemporary Societies Depicted in Zhao Shuli’s Works
DOI:
https://doi.org/10.61173/0jfvfk48Keywords:
Zhao Shuli, revolution, folk narrative, peasant culture, liberationAbstract
Rural literature is indispensable content in studying modern and contemporary literature. As a modern and contemporary literature writer, Zhao Shuli’s works are worthy of more comprehensive study. In changing times, the emancipation of thought and alternating the old and the new are urgent problems. This paper intends to take Zhao Shuli’s works as an example to examine Zhao’s perspectives on farmers and the images depicted in his works. The paper cites various kinds of literature to discuss farmers’ problems and explore related issues depicted in Zhao Shuli’s rural literature works. The paper argues that Zhao Shuli sought to shed light on the societal challenges and transformations unfolding in rural China during his time. Through his works, he aimed to give voice to the often marginalized and overlooked rural communities, highlighting their resilience, dignity, and humanity amidst the changing landscape of modernization and societal upheaval. Only by truly understanding farmers and rural areas can modern society make effective decisions and better promote rural development in the long term.
References
[1] Xi Yang, and Lu Puwen. “The Consciousness of Middleman and Zhao Shuli’s Self-identity.” Literary Review 4(2009): 6.
[2] Xi Yang. Role Self-shaping and Consciousness Reconstruction: On the Significance of Zhao Shuli’s “Intellectual”. Journal of Southeast Shanxi Normal College 18.4(2001): 4-9.
[3] Lu Hongbo. “The image of new peasants in Zhao Shuli’s Works from the Marriage of Little Erhei.” Grain in Ear: The Second Half of the Month 1(2013): 2.
[4] Huang Jianguo. “The Language art of Zhao Shuli’s Novels from the Marriage of Little Erhei.” Journal of Hebei University: Philosophy and Social Sciences Edition 3(1981): 5.
[5] Zhu Qinghua. “A Comparison of the images of New and Old Peasants in Zhao Shuli’s and Gao Xiaosheng’s works: A Case study of The Marriage of Xiao Erhei and Shui Dongliu.” Journal of Zhejiang Wanli University 23.6(2010): 5.
[6] Liu Jie. “On the cultural heritage of the characters in Zhao Shuli’s Works.” Gansu Social Sciences 2(1995): 4.
[7] Xiao Peihua. Interpreting “Peasant Consciousness”: A Comparative Analysis of Peasant Images in the works of Lu Xun, Zhao Shuli and Gao Xiaosheng.” Training and Research - Journal of Hubei Institute of Education (2002).
[8] Fan Jiajin. “The Contemporary Situation of Peasants’ Writing and Peasants’ Rejection of Zhao Shuli’s Model.” 30 Years of Chinese Modern Literature Research Series: Studies of Writers’ Works (Part 1) CNKI, 2002: 179-191.
[9] Lan Aiguo. “Folk Narration: Zhao Shuli and His Rural Revolution.” Journal of Humanities 06(2000): 52-59.
[10] He Zhongming. “Peasant Cultural Novels: Rural Selfexamination and the Look.” Literary Review000.003(2001): 125-131.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 by the authors.

This work is licensed under a Creative Commons Attribution 4.0 International License.
