Ephemeral Reverie: The Fusion of Japanese Painting Tradition and Modernity Professor’s name: Todd Ayoung, Antonio Serna
DOI:
https://doi.org/10.61173/bmrkfa44Keywords:
Ephemeral Reverie, culture industry, artAbstract
This paper mainly discusses digital exhibitions and ‘Ephemeral Reverie’ as an art form. Digital art has broken the limitations of traditional art, such as geographical barriers, and delivered art to a larger audience through many digital platforms. The exhibition ‘Ephemeral Reverie’ allows visitors to experience art on a deeper level and think about the cultural background and social development behind ‘Ephemeral Reverie.’
References
AR rendering Graham, G. (2009). Philosophy of the Arts: An Introduction to Aesthetics. Routledge. Educational Resources
Iwasaki, N. (2021). Personal Communication.
The exhibition provides educational resources such as Matsuya, C. (2018). Personal Communication.
multimedia guides and printed materials to enhance Suzuki, D. T. (2014). Zen and Japanese Culture. Princeton the visitor’s understanding. These resources delve into University Press.
Japanese painting techniques’ history, the philosophies Tanizaki, J. (1977). In Praise of Shadows. Leete’s Island Books. underpinning them, and their relevance in contemporary art.
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This work is licensed under a Creative Commons Attribution 4.0 International License.
