Feasibility and Exception--The Grand Narrative Theory in the Myths of Buddhist Sculpture Art
DOI:
https://doi.org/10.61173/h0a31v77Keywords:
grand narrative, Buddha statue art, secularisation, collectivityAbstract
This paper explores the grand narrative, especially in the context of Buddhist sculpture art. It portrays grand narratives as broad, non-falsifiable systems stemming from a collective story, often focusing on universality and macro theories. The paper also highlights the link between grand narratives and myth. The author examines how grand narrative theory applies to Buddhist art, evident in visual forms like Buddha statues, which function as both religious symbols and narrative components. This article mainly consists of two lines of analysis. One line examines the representation of grandeur and narrative in Buddhist sculptures, while the other line examines the changes in the grand narrative of Buddhist sculptures. The former involves the relationship between images and texts, while the latter involves the feasibility of the end of grand narrative as proposed by Jean-François Lyotard’s theory of grand narrative.
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