Traditional Genes and Modern Translation: A Comparative Study of Innovative Practices in Intangible Cultural Heritage in the Context of the “Double Helix Model”
DOI:
https://doi.org/10.61173/trg4gr79Keywords:
Intangible Cultural Heritage, Cultural Revitalization, Double Helix Model, Traditional Genes, Modern ExpressionsAbstract
This paper aims to explore modern approaches to “revitalizing” intangible cultural heritage. Starting from the reflections triggered by watching the anime “Demon Slayer,” the study notes that Japan has successfully transformed its traditional culture into global trends, while the dissemination of China’s intangible cultural heritage faces significant challenges. To address this issue, the paper proposes a “Cultural Revitalization Double Helix Model,” which suggests that the modernization of intangible cultural heritage requires the interweaving and synergistic interaction of “traditional genes” and “modern expressions.” By comparing Issey Miyake’s “philosophical breakthrough” innovations, Bosideng’s approaches to refining craftsmanship, and Chanel’s use of symbolic elements, the study reveals hierarchical differences in the innovation of intangible cultural heritage. Ultimately, it proposes systematic strategies across four dimensions—narrative, design, experience, and industry—aimed at helping China’s intangible cultural heritage find a path for transformation that is rooted in tradition while integrating into contemporary life.
References
[1] Bourdieu, P. The Field of Cultural Production: Essays on Art and Literature [M]. Columbia University Press, 1993.
[2] Miyake, I., & Fujiwara, D. Issey Miyake Making Things [M]. Scalo Publishers, 1999.
[3] [Japan] Kenza Hara. Design in design [M]. Shandong People’s Publishing House, 2006.
[4] China Youth Newspaper Social Survey Center. “Survey Report on Youth Intangible Cultural Heritage Consumption and Cognition” [R]. 2025.
[5] Douyin. “2025 Douyin Intangible Cultural Heritage Data Report” [R]. 2025.
[6] Bosideng. “2024 Paris ‘Integration’ Concept Show Art and Technology White Paper” [R]. 2024.
[7] Li, J. & Rita, P. When Tradition Meets the Runway: A Study of Intangible Cultural Heritage in Contemporary Fashion Design [J]. Journal of Global Fashion Marketing, 2022, 13(1): 45-60.
[8] International fashion media such as Vogue and Business of Fashion (BoF) have reviewed and reported on Issey Miyake’s Paris Fashion Week collections over the years.
[9] WWD, Luxe.CO and other media reported and commented on Chanel’s “Métiers d’Art” workshop series.
[10] Official reports from Japan’s Ministry of Economy, Trade and Industry (METI) on the “Cool Japan” strategy and related analytical articles from academic circles (such as McGray,
[11] “Demon Slayer: Kimetsu no Yaiba” official set collection, interviews, and authoritative art criticism articles on its connection with Ukiyo-e culture.
[12] Introduction to related projects of China Intangible Cultural Heritage Network (www.ihchina.cn).
Downloads
Published
Issue
Section
License
Copyright (c) 2026 by the authors.

This work is licensed under a Creative Commons Attribution 4.0 International License.
