Vol. 2 No. 2 (2024): Volume 2, Issue 2

Published: 2024-04-16

Articles

  • A brief analysis of Guy Ritchie’s postmodernist style in Lock, Stock and Two Smoking Barrels

    Mingyi Yin
    492
    DOI: https://doi.org/10.61173/teb1pg20

  • The Modernity in the Creation of Shen Congwen’s Western Hunan Novels

    Zhengjie Ran
    662
    DOI: https://doi.org/10.61173/39e1qe44

  • The Popularity and Enlightenment of Japanese Fantasy Travel-Themed Animation in China

    Ziyu He
    562
    DOI: https://doi.org/10.61173/0mv9jt66

  • The Relationship between the Mad Imagery in Lu Xun’s “the Eternal Lamp” and Taoist Philosophy of Life

    Weiyi Zhao
    642
    DOI: https://doi.org/10.61173/44nma864

  • The principle of non-refoulement: the legitimacy of refugee policies in Western countries

    Jinhao Liu
    542
    DOI: https://doi.org/10.61173/sp8dkq68

  • Analyzing Reasons for the Aesthetic Transformation of Dance Culture in Chinese Generation Z--Taking Otaku Dance as an Example

    Naiman Wong
    622
    DOI: https://doi.org/10.61173/1fqf1e60

  • Research on the path of Chinese fashion culture from the perspective of symbolic consumption

    Jiayi Wang
    522
    DOI: https://doi.org/10.61173/gc9eqp93

  • Spiritual Crisis in the midst of Social Chaos and Disorder: A Character Interpretation of The Master and Marguerite

    Siqi Wang
    692
    DOI: https://doi.org/10.61173/t7b1gb58

  • The Artistic Characteristics of Hisaishi Film Score and its Dissemination in China

    Yiling Li, Zhicheng Xu, Yu Yang
    602
    DOI: https://doi.org/10.61173/sc4rs653

  • Evaluation of the historical reconstruction seen in the short story “Akhenaten, Aten and Religion”

    Haoxuan Ma
    502
    DOI: https://doi.org/10.61173/0j627557

  • The Female “Tragic” Consciousness in Bai Xianyong’s Novels: Take Exiled Immortals and A Touch of Green as Examples

    Yaxuan Wang
    672
    DOI: https://doi.org/10.61173/8fpaq534

  • The Application of Non-language Symbols in Japanese Games from the Perspective of Cross Cultural Communication--Take”Animal Crossing” as an Example

    Shuhan Wang
    572
    DOI: https://doi.org/10.61173/cckcjc85

  • A Mountain Standing: Paramount

    Mingyi Yin
    482
    DOI: https://doi.org/10.61173/t7ms2q98

  • Inheritance and Recreation: The Transformation of Literary Paradigms in Fan Hua’s Shanghai Urban Narrative

    Yizhe Zhang
    652
    DOI: https://doi.org/10.61173/6bjgrb53

  • Main Causes and Corresponding Strategies of “Dumb English” Phenomenon among Secondary School Students in Mainland China: A Review of Relevant Research Findings

    Yujun Huang
    552
    DOI: https://doi.org/10.61173/v3kbpm91

  • The Origin and Prospect of Human Rights Crisis During Sri Lanka’s Civil War

    Shengjiang Yang
    632
    DOI: https://doi.org/10.61173/b8a3p290

  • Nationalism in China: Changing Parameters from 1993 to Present

    Ray Xu
    532
    DOI: https://doi.org/10.61173/q9ytfj62

  • The Spatial Writing of Traditional and Modern Civilization in Love in a Fallen City by Eileen Chang

    Linyi Li
    612
    DOI: https://doi.org/10.61173/sbsaz102

  • An analysis of gender culture based on the Internet language of “Mad literature”

    Ying Du
    512
    DOI: https://doi.org/10.61173/xqgff829

  • Feminism in Lu Xun’s “Regret for the Past”

    Xia Liu, Zhirui Teng, Ying Wang
    682
    DOI: https://doi.org/10.61173/n7xzas69

  • Implications for the Cross-Cultural Development of the Japanese Idol Model for the Chinese Entertainment Industry

    Zijin Huang
    592
    DOI: https://doi.org/10.61173/9catx464